Tags: Celebrity,Music

All She wants 4 Christmas Is Jews...

Tags: Celebrity,Music,Comedy

Tags: Music,Regggaeton,Latin

Been loving this track for months...glad it is the new video

Tags: Pop,Music,Celebrity

download DIVA...it’s the next hit if u don’t Have the CD

Tags: Music,Celebrity

If u like Beats that serve the Vogue queens and u know what Baltimore House is...
check SAMIR.... His track Samir’s Theme...has been made into the fiercest MADONNA track in the longest, a new mix of
MILES AWAY by MADONNA (Aaron LaCrate and Samir B-More Gutter Remix)
that is hard to come by, but if u find it, you’ll thank me...

Tags: Music,Beats,Balls

If U Like it then u shoulda put Your Lips On It

Tags: Comedy,HIPOP,Music

Britney’s Circus has arrived and we are doing a party next Friday
(Dec 12th at Johnny’s)

do not expect any suprises with this cd it is not even HALF as good as BLACKOUT
however there are some Hits...Knowing the label they will not release them as singles and instead release some shit like Lace and Leather or My Baby (ewww)...lol
WHAT U WANT 2 DOWNLOAD
#1 Kill The Lights
#2 Mannequin
#3 Phonography
#4 Mmm Papi
#5 Trouble
#6 Shattered Glass.... maybe even CIRCUS
and unrelated to the CD but a good track is
CANDY FROM STRANGERS featuring LAze Royal

now realize im naming 6 out of 15...whereas BLACKOUT was basically all good.

MY MEGAMIX BRITNEY CD WILL BE RELEASED AT THE PARTY...
(Dec 12th at Johnny’s) DONT MISS IT

Tags: Music

Single Ladies (Put A Ring On It)

CD DROPS NOVEMBER 18 STAY TUNED FOR OUR PARTY INFO

Tags: Pop,HIPOP,Music

MY BABY DADDY JUST BROKE THE RECORD!


T.I Breaks Own Record With Hot 100 Burst
T.I. breaks his own recently set record for the largest leap to the top of the Billboard Hot 100, as "Live Your Life" featuring Rihanna explodes 80-1. The track sold 335,000 downloads this week, besting Mariah Carey's prior digital debut week high-water mark of 286,000 with "Touch My Body."

Tags: HIPOP,Pop,Music

Record Company Sues Lil' Kim Over New Album

October 09, 2008 , 10:45 AM ET
A record company has sued Lil' Kim for $2.5 million, saying the Grammy-winning rapper hasn't delivered all the recordings their contract requires.

Brookland Media filed the lawsuit Tuesday in Manhattan's state Supreme Court. Lil' Kim's lawyer, Londell McMillan, says Brookland sued "to leverage their own position" in the contract dispute.

The lawsuit says Brookland contracted with Lil' Kim this year and spent hundreds of thousands of dollars on recordings, equipment and advance payments.

Court papers say the rapper later tried to change the contract and refused to continue recording unless Brookland agreed. The papers say she had recorded only a few tracks toward a new album by the beginning of September.

Brookland wants the court to declare the contract valid and bar Lil' Kim from recording for another company.

Tags: HIPOP,Music

I was torn with this one...
I have told you guys about EARWORM before...BRILLIANT...
i couldn’t hide this for just myself, and u guys gonna c it and hear it at the clubs anyways...
i might as well give props to the source...who does some amazing work....

Tags: HIPOP,Pop,Music

Tags: Music,Pop,HIPOP

WAIT FOR IT, I know you may not like the song
but this VIDEO IS CRAZY...watch, be patient...POETIC (in a disgustingly obvious way)

Tags: Comedy,GODIAN,Music,Pop,Poetry

Until he new video debut on August 22nd on MTV at 8pm...
u can hear it here (if it stays posted.....)


Bonus flashback video

Tags: Music,Pop

Tags: HIPOP,Music

Tags: Pop,Music

Tags: Comedy,Music

Tags: Mashups,80's,Music

Tags: Mashups,Music

Tags: Music

Welcome to Funplex, the first record of the 21st century from the B-52s. "It's loud, sexy rock and roll, with the beat pumped up to hot pink," says guitarist Keith Strickland. Eleven fresh new songs, crafted by the groundbreaking band that put Athens, GA on the musical map in the late '70s, and conquered the world with its savvy hooks, unconventional approach to music-making and original style. “Funplex sounds like us, updated," adds Fred Schneider. "It's the B-52s now – or fifteen years from now."
From the opening burst of "Pump," with Keith’s garage-rock guitar and Kate, Fred and Cindy's one-of-a-kind vocal interplay, Funplex is instantly recognizable as prime, yet contemporary, B-52s. Vibrant selections including "Keep This Party Going," "Ultraviolet," and "Hot Corner" reaffirm the quartet's status as "the world's greatest party band." Yet they continue taking risks, too, yielding future favorites such as the transcendental "Juliet of the Spirits" and "Love in the Year 3000," where atmospheric introductions unfold into multi-layered harmonies and burbling beats. On the propulsive title track and first single, the three vocalists adopt distinct characters, running amok on diet pills and slinging tacos in a sprawling shopping center. "It's the seedy underbelly of the mall," chortles Fred.
The creative odyssey of Funplex began with Keith Strickland, who composes the music for the group. "I had been listening to a lot of electronic dance music and early rock and roll. I was inspired to use these two aesthetics together with our own sound to write some shameless dance-floor party music." At home in Key West, FL, he commenced crafting new tracks that retained iconic features of the band's sound – such as their primal guitar   hooks – while also emphasizing grooves. What emerged were originals like "Eyes Wide Open," with its throbbing low-end and oddball percussion, and the chugging, unvarnished "Too Much to Think About." Songs that can stand (or shimmy) shoulder-to-shoulder with the best work by newer contemporaries like LCD Soundsystem, The Rapture and the Killers.
"I'm trying to convey a feeling when I write," Keith explains. "I like to think of my instrumentals as landscapes. The chord changes, rhythms and sound quality of the instruments are all aspects of a sonic space, which is designed for Cindy, Fred and Kate to step into. I want them to feel inspired by the music and expand on that feeling with their melodies and lyrics ... little did I know that with our new songs ... they were going to get all sexy."
The other members of the band were busy incubating new songs, too. "I'm always writing lyrics," says Fred, “I have notebooks full of ideas, not just for songs, but cartoons, films, everything." The band began meeting regularly at Nickel & Dime Studios in Atlanta, GA for Stage Two of the writing process. Working with Keith’s foundations, Kate, Fred and Cindy commenced with their trademark "jamming," creating melody lines, lyrics, and vocal harmonies, turning over myriad ideas until they hit upon the ones that served each song best. 
"During the 'jamming' process Cindy and I usually focus a lot on melodies ...then the harmonies start to flow....and the magic begins," Kate elaborates. "Sometimes we start with title or subject ideas but we often go to our laptops and jam out on lyrics while listening to the music."
"Most people could not do this," confesses Cindy of their democratic modus operandi. "What we're trying to do is rare, but it works out. And you get a song that is multi-faceted, and has different senses of humor, and depth to it." For instance, the initial spark for "Juliet of the Spirits" came from Keith, according to Kate: "He made a suggestion to look to the Fellini movie" – 1965's Giulietta degli spiriti – "for lyrical inspiration, since his movies have always been an influence on our look and our hair! Cindy, Fred and I took it from there." The title "Deviant Ingredient" may have sprung from a line of Cindy's poetry, yet the song's vocal twists, and vivid images of trawling the martini mile, are born from all the members' intersecting imaginations.
To help formalize the sound of Funplex, the band recruited producer Steve Osborne (Happy Mondays, Doves, KT Tunstall), who had favorably impressed Keith with his work on New Order's 2001 return to form, Get Ready. "Steve was strong, directed everybody well, had great ideas… and he understood us, too," says Cindy. "A lot of people wouldn't know what to do with our band, but he appreciated the quirkiness, and made it work. Can you imagine what a hard job that must have been?"
While Osborne and his team – programmers Pete Davis, Dave McCracken, and Damien Taylor, and engineer Dan Austin – helped refine subtle percussion and keyboard parts, enhancing the original tracks, they also made sure to retain a hefty dose of spontaneity. "We didn't do a whole lot to the vocals," reveals Kate. "The philosophy was to keep them a little raw. A lot of attention was paid to the individual tracks, but we were careful not to sound too slick or overproduced."
Recording took place in two locations, first at the Clubhouse in Rhinebeck, NY, followed by John Keane Studio in Athens, GA. Working at the latter venue, in particular, enhanced the good vibes that surrounding the making of the record. "It felt like coming full circle," says Kate. The studio was literally just a few blocks from the site of the house where the band played its first show, at a party on Valentine's Day, 1977. "We were tapping back into that wellspring of creativity," she continues. "It was like the spirit of when we started. My voice teacher used to say tension is the enemy of all art, and being in Athens melted away any tension. It's so easygoing there."
You'll find glimpses of the band's Athens, GA roots in the lyrics of "Hot Corner," too. "That was a real corner by our old studio, in the Morton Building, where a lot of hot action took place," Kate recalls. "Like 'Love Shack,' the song is a mix of all things Athens: the bus station where Keith and Ricky worked, the dance parties we crashed, the crazy outfits we wore."
The B-52s have come a long way since their revolutionary 1979 self-titled debut, featuring the evergreen "Rock Lobster." Following the loss of founding member Ricky Wilson in 1985, the group rebounded with their triumphant 1989 smash Cosmic Thing, which spawned the Top 10 hits "Love Shack" and "Roam." Although their last recordings to be made commercially available were the songs "Debbie" and "Hallucinating Pluto" for the 1998 anthology Time Capsule: Songs for a Future Generation, the band has remained a popular and active live touring act.
Looking back at band’s pioneering fusions of punk, new wave, and vintage rock, it would be tough to imagine the contemporary musical landscape existing without having encountered the intersected spirits of Kate Pierson, Fred Schneider, Keith Strickland, and Cindy Wilson. "We all cross-pollinate, and create a wonderfully crazy blossom," explains Fred. Botanists don't need a name for this stunning specimen, though. It already has one, known around the world: the B-52s.

LINKS TO OLD VIDEOS
PRIVATE IDAHO
ROCK LOBSTER
LOVE SHACK

Tags: Music,80's

How could u not love Dolly? Especially when after 17 years she decides her new new CD should be called “BACKWOODS BARBIE”. Brilliant. I just watched the BIOGRAPHY 2 hour special and was happy to hear that she’s as savvy a business woman as she is a beautiful woman. She says that she modeled her look after the town tramp, yet she’s never been trashy. Starring In 9to5, Steel Magnolias, Best Little Whorehouse In Texas, Straight Talk and more she always entertains, and although i am not the biggest country fan, i will admit she turned it out on “I’M GONE” (u really should clik the link...it’s a kekekekekeke...)
and if ur down to ride a roller coaster or grab some vittles u can always hit
DOLLYWOOD

PS...for allu youngin’s she originally wrote and had a hit twice with
I Will Always Love You
then a third time for the BODYGAURD soundtrack with WHITNEY HOUSTON
which became one of the biggest selling singles of all time.
Dolly turned Elvis down when he wanted to record a version of the song because they wanted part of her publishing rights, she said no-go...painfull for her at the time, but thannx to Whitney, a decision that eventually made her Millions and Millions of dollars.
DUMB BLOND she’s not
backwoods barbie, maybe....

Tags: Music

Jackie Beat is a friend of mine from NYC...then LA, then, well she travels....and u will c why...so many You tube video’s for your entertainment....
u will laugh, u will cry, ok maybe u’ll just laugh....

BABY GOT FRONT


SANTA BABY


FILTHY WHORE


++Why Lady Bunny needs a TV show also


+++why nobody watches MAD anymore...

Tags: Comedy,Music

Mary J. Blige
Mary J. Blige has something to tell you about fighting AIDS, creating a hot new album and doing the hard work of living with joy.

MARY J CD RELEASE PARTY EXCLUSIVE AT COLISEUM FRIDAY DEC 28

Excerpted from The Advocate

Mary J. Blige has a fantastic body, fit and surprisingly curvy. Today it’s poured into a pair of formfitting jeans, a chic orange turtleneck, and dark leather boots. Huge, dark sunglasses set off her trademark blond bob wig. She’s curled up in a chair in a small room at the Beverly Hills Hotel after our lunch downstairs, her legs dangling over the arm. She stares out the window as her husband-manager Kendu Isaacs puts a CD-R of songs from her new album, Growing Pains, in the room’s outdated CD player. As the beat-driven music starts to play, Mary drops her head slightly forward and nods hard to the beat. Her entire upper torso jooks in classic B-girl style. She sings along to the words, going into her own zone. This is career-high music for Mary -- some of her best singing, strongest songwriting, and most inspired production ever. But it’s likely to further alienate many of the fans that vibe to Miserable Mary, Addicted Mary, Depressed and Suicidal Mary. The new material is a continuation of the process begun on her Grammy award–winning 2005 album, The Breakthrough -- Mary’s chronicling of her new and hard-won states of mind and being. She’s happy. When told that the album, which was then a month and a half from being released, would likely inspire grumblings of dissatisfaction among some of her old fans, Mary swings her legs around, sits up straight, and says in that globally famous no-bullshit voice, “Thank you. That’s honest, what you just gave back. I like that.”
Actually, throughout our conversation, honesty is what Mary J. Blige gives me. It’s well-known that celebrities come to this magazine to send a little love to their big gay following, but often enough, that’s just business. This is different. This is deeper. “The majority of my fans are gay,” Mary says matter-of-factly. “The majority of them are, and I have to really make sure that they know I’m paying attention to the fact that they support me, and I support them.”
Asked at what point she realized that the children had made her their own, she immediately replies, “I realized that years ago. Like, probably during...was it Share My World or Mary? It was probably during the Mary album that I realized I had so many gay fans, because one of my managers at the time was gay and him and all his friends were die-hard Mary fans. And then there’s a lot of gay women that love Mary J. Blige -- a slew of gay women. And that’s never been something to bother me. Never. Because we’re all people at the end of the day.” She pauses for a second, then continues.
“When I was growing up,” she says thoughtfully, “my neighborhood was full of everyone -- black, white, Latino, gay, straight. A lot of people that I knew were gay, but they were great people. They were good people. It’s not like they were alien. They were just people. That [acceptance] was just something that was always in me. I’ve never been a judgmental person because I have been through so much hell myself…”
And you yourself have been judged, I say to her.
“Exactly. I’ve been judged so much that I’d be a fool, or I’d be dead wrong to myself, to have something negative to say about anyone that’s doing anything that’s their choice, you know what I mean?”
In the fight against AIDS, Blige has done more than support from the sidelines. She has jumped in on our side. Longtime fans know of her involvement with AIDS organizations and awareness programs like Minority AIDS Project and her being a spokeswoman for MAC cosmetics’ Viva Glam III and IV campaigns. The death of her friend and songwriter Kenny Greene (who was responsible for many of MJB’s early hits, most notably “Love No Limit” and “My Love&rdquo was her personal impetus for involvement in the cause. But it was noticing the silence around the disease that finally prompted Blige to take action.
“I was motivated,” she says, “by the fact that it came and was so huge, and then all of a sudden it disappeared, and it was the thing that everybody swept under the rug. It was the elephant in the room that nobody’s looking at. It made me be like, Oh, this is right at our front door. This can touch us. So why wouldn’t I want to get involved with something that can help save all our lives, save everybody’s lives? That’s why I wanted to get involved, because I knew that…” She pauses. “I had friends that… One of my gay friends that was a songwriter with me, Kenny Greene, was one of my really good friends and he died from AIDS. I was like…” She sighs deeply and falls silent before resuming the conversation. “And then everybody was just dropping off, dropping off, dropping off, but no one was saying anything.”
Of course, part of that silence is rooted in homophobia, either inflicted or absorbed. Or both. And while much mainstream conventional wisdom (catch the layered oxymoron there) has it that the African-American and hip-hop communities are more homophobic than whites, Mary doesn’t see it that way.
“The real hip-hop,” she stresses, “the real people don’t even care about that. They’ll love you and accept you no matter what because they know who they are. There are a lot of people trying to figure out who they are and what they’re gonna be. There’s a lot of confusion in that. Confusion causes a lack of identity.
“I’ve heard a couple of guys say foul things, and those guys are not around me anymore because when they say things like that, I’m looking at them like, What makes you so scared? You don’t know who you are? I guess it all boils down to them not being sure about themselves and what they wanna do, whoever that is. I won’t say any names. And I don’t dislike them or anything -- it just makes me wonder about them period. ’Cause if you’re not sure about that, then you ain’t sure about a lotta things!” she laughs.

Tags: Music

Download Lick This (her New Single with 50cent) HERE
more links below

How can my favorite girl turn it by being at our Gay Pride Party, Giving us years of Hot Jams, Being on a game show and then....turn us down by working with HOMOphobe 10 cent?

50 Cent and Lil Kim have apparently made nice and recorded “Magic Stick 2: Wanna Lick,” the first single off the new G-Unit album "Shoot to Kill," which is slated to be released at the end of the year.
Miss Info Reports: "...Anyways, it looks like Lil Kim’s tatted and plaited plaything, Young Buck is the one who brought his boss and his boo together for a peaceful collaboration."

50 Cent on Kim: "I'm not good at resolving things," 50 said on Sunday afternoon on the set of the video for his collaboration with Akon, "I'll Still Kill." (Note: The title will be changed to "I Still Will" for television purposes.) "Once I get into an altercation with someone or we have a misunderstanding, I'd rather leave them over there rather than have them around when they still have those feelings."

"I reached out to her, called her, to see where her head was at," Fif said. "In Kim's case, it wasn't me and Kim [who had the real beef]. It was Kim and the man she was with at the time. Later, we was able to actually get together and collaborated. We was able to make something special again with 'Wanna Lick.' It's good. From a female perspective, she can provide an aggressive standpoint and be aggressive for the women while I can be myself and be aggressive from a man's perspective."

Click Here to listen to 'Wanna Lick (dirty)' in medium quality. (credit: Chameleon)
Click Here to listen to 'Freaky Girl Remix (dirty)' in medium quality. (credit: yebbie.)
click here to listen to a fan edited version without Mister Cee talking over the track.
According to a DC radio DJ they shot the video a while ago.
Don't forget to support these songs when they are available on I-Tunes and CD.


Also, tune into The Late Show with David Letterman on Nov 7th as Keyshia Cole, Kim, and Missy Elliott are set to perform their smash hit single "Let It Go."

TV Update: Kim will make a guest appearance on CW's game show 'The Game' on Nov 12 - 9:30 PM EST.

Tags: Music,HIPOP

Whitney Houstons New Commercial

Tags: Comedy,Music

The First (and Last Remaining) Lady of Hip-Hop? With her new record set to release some time next year (fingers crossed), Eve sounds off on being one of the only female rappers left in the game and why she just can't call Fergie or Gwen Stefani hip-hop

PERSONALLY, it seems like she’s just Bitching about the Commercial success of These other artists and her own CD being delayed cause it wasn’t as good. Stop hating EVE...though they may not be “Hip-Hop” u are on the WAY COMMERCIAL END of the hip hop genre, including all your biggest hits (which where all duets with artist such as GWEN and ALICIA....

By Margeaux Watson
From 1999 to 2002, Eve was on a roll. One of hip-hop's most bankable female MCs, her first three albums sold 4 million copies and spawned five Top 40 hits, including well-received collaborations with Gwen Stefani (''Let Me Blow Ya Mind'') and Alicia Keys (''Gangsta Lovin'''). But after a four-year detour into TV, film, and fashion, the Grammy winner has run into some snags while trying to revive her music career. Her forthcoming CD, Here I Am, was initially due in August but has now been delayed until 2008. Meanwhile, her first two singles off the record have struggled to connect with listeners: ''Tambourine'' peaked at No. 10 on Billboard's Hot Rap Tracks chart on July 14, while its follow-up, ''Give It to You,'' hadn't charted at press time. But despite those setbacks, Eve, 28, tells EW she's still got more skills than a lot of male MC's tallying up record sales in the ''testosterone-driven'' rap game, and that she's going to wait until she's 100 percent confident in her new CD before she lets it drop.
ENTERTAINMENT WEEKLY: What's going on here? Why so many delays with this album? Are you scrapping the whole thing and starting over? EVE: No, I'm not completely starting over. I'm definitely gonna keep some of the records that I had because I love a lot of the stuff that I did. So I'm keeping a lot of it. I'm just going back in to kinda make it a well-rounded album. I think what kind of delayed us this time was that I went in and did two records that sound a lot like the Pharrell record — the singing record.... I don't think the movement was right and I'd rather put out an album and feel 100 percent connected to it than just to put out an album, especially the way music is right now.
What do you mean by saying you put out two records that sound like Pharrell? Are you going in a different direction with the new music you're recording for the album?Not really a different direction, but more of that direction. I don't even know what you would generalize it or call it.
More pop?I guess you can call it that, but I don't know because it's hard to kinda say that too, because some of the records that I'm keeping, like the rap records, are on that level, so it's kinda hard to say in any way.... I felt like it just wasn't a cohesive record. I felt like I needed to go back in and just make everything match.
Are you happy with the way that ''Tambourine'' and the Sean Paul single [Give It To You] performed?Oh, I loved it. I think [they] did great. I think, honestly, although the Sean Paul record didn't get as big as we would like it to, the initial response to it was great. So I think that helps. ''Tambourine'' absolutely got the sickest response, so I'm happy with that.
Has it been difficult for you to remount your musical career after being sucked into a TV show and a clothing line for three years?No, it actually hasn't been that bad. I mean, the response that I've been getting mostly from people is, ''We're happy you're back in music. I'm happy you're back in music.'' But I can't front and not say that there is a new movement of music the way a lot of the music is right now. But no, I think I've been received pretty well. And especially at radio stations and stuff like that, I'm really happy for just the love that I've been getting, the support that I've been getting from radio stations and TV stations that are like, ''Yo, we wanna help you out with this record.'' So that's a good thing.
Speaking of a new musical movement, how do you feel about re-entering a musical landscape that's getting overloaded with female vocalists in an era with virtually no successful female rappers?In some ways, it's hard. But in other ways, it almost is like I kinda feel like it was when I first came out. Even though there were two females that were in the forefront, but at the same time, there was nobody I felt, in my opinion, like me that came out, so I feel like I'm starting all over. I feel like a new artist again.
What particular challenges have you faced in getting this album off the ground? It's a lot. It's different. There was a time when you could put out a single and then put your record out five weeks after and you knew if the single did well at radio that told you how your album was gonna do. Nowadays, a single could play for weeks and weeks and weeks on the radio, it could be the biggest single, and the album sales don't match up. So, you know, it's a different format, and I don't even think that anybody has the formula to it now. So it's totally different. You definitely have to go about it a different way. You definitely have to take your time and think and come up with a good strategy, and that aspect is really different.
Has the success of artists like Fergie and Gwen Stefani made it harder for female rappers because they've come in and created a new, pop-friendly mix of pop, hip-hop, and R&B sounds?I think what makes that hard for us is that they're not hip-hop, period. I'll never, ever be able to give Fergie or Gwen that title. I love them. I think they're dope. I think they make good music. But they're not hip-hop. They emulate hip-hop in certain things that they do, but they're not hip-hop. And I think that hurts hip-hop in a way because it's confusing the lines. I also must admit that hip-hop is the new pop. Like hip-hop five years ago, Soulja Boy couldn't get played on the same station that Fergie was playing on or that the Black Eyed Peas were playing on or that Justin was playing on. Or Justin couldn't be on an urban station five years ago. But now, all the lines have blurred. But at the same time, calling Fergie and Gwen hip-hop hurts females, I think. It hurts the female MCs.
ENTERTAINMENT WEEKLY: Is hip-hop still your first love? Your life has come so far from the experiences you talked about on your earlier albums.EVE: Well, I had to talk about what I knew about at that time. When I came out, that's what I lived every single day. I lived a certain kind of life. Hip-hop will always be me. Without hip-hop, I wouldn't be who I am. It made me. My stake is strong in hip-hop. I'm still an MC, but I have to talk about and be who I am as I grow as a person. I'd be frontin' if I was like, ''Yeah, I was doing this on the block.'' I live in Hollywood, you know what I'm saying? I got an apartment in New York. Like, I don't live that kind of life so I can only talk about what I know about.
You already talked about this a little bit when you were talking about Gwen and Fergie, but I want to go back to it: How tough is it to be a female rapper in today's musical climate? Is it tougher than when you released your first album? When/what was the turning point?I don't think it's hard. I don't look at it as hard 'cause I think I'm better than half these dudes that's out. Some of these dudes can't rap. And I hate to say it like that. [Laughs]
That's true, but those dudes' albums are getting off the ground and achieving success.I know. That's definitely because it's testosterone-driven. It's testosterone-driven. But I don't think it's hard. I don't look at it in that aspect of it. What was the second part of the question?
When/what was the turning point for female rappers when their popularity started waning?I don't know. Honestly, I can't really say there was a specific time. I think it just happened and I don't think that anybody paid attention to it until, like, right now where you look up and it's like, ''Oh, s---! Where are all the females at?'' I think it just kinda happened.
Is your album still being released on Dr. Dre's Aftermath label?I can't say. Geffen will [definitely] be attached to it.
Does that have anything to do with the delays?No. I can honestly say, I know a lot of people have a lot to say about Dre and waiting on Dre, but I can honestly say this has nothing to do with Dre.
When and why did you change management? Did that cause more delays with the album?Yes, I have new management now, which that had a little bit to do with it, but I also won't blame it on my management either.
Why did you change management and how did that affect the delay?It was just time. It was a hard decision. We've been together almost 10 years. But it was one of things I felt like I needed to do for myself. I felt like I needed a change. I was on a new path in my brain. It was just something that I needed to do. And I'm sure it affected certain things and the pushing back of certain things. But like I said, I don't want to blame it all on that either.
So what's the latest release date for the album?Some time next year. I know [Laughs]. It's like I've been trying to push this baby out for a year, okay! Trust me, it is really crazy. It's the longest labor on earth! But honestly, I feel okay about it. It'll be some time next year.
But you don't know when next year? Not even the month?No. I don't wanna even give out any more dates. I'm kinda scared. [Laughs] I'm scared of giving out dates. I'm gonna just wait.

Tags: Music,HIPOP

Its all on the web, if u dont like Jive Records or dont wanna support Britneys Drinking...lol...

BEFORE U READ THIS...MARK YOUR CALENDAR...OFFICIAL FLORIDA RELEASE PARTY AT COLISEUM NOV 2nd!!!!

Britney Spears' 'Blackout' Hits Internet
Britney Spears' new album, the unfortunately titled "Blackout," is all over the Internet.
The surprise uploading of new tracks by the embattled pop tartlet/wayward mom has caused Jive Records to move up the release date from Nov. 13 to Oct. 30.
Even that may not help. Jive has scheduled listening sessions for press for this coming Monday.
But most media types, even those not proficient in computers, can hear it now.
Luckily, this column already told you about several of the tracks Britney recorded for the album a couple of weeks ago.
Songs like “Piece of Me,” in which she sings about her experiences with the paparazzi, and “Heaven on Earth,” which sounded like a monster hit to these ears, are among the "Blackout" offerings. On the Internet version, however, those songs are missing. 
Of course it’s possible that someone thought the early leak would be good publicity for Spears. She’s otherwise prevented from doing very much press to support "Blackout" considering her present legal woes (she was chided by a family court judge for having drug problems and her children were taken away from her.)
Still, legal difficulties don’t always affect music stars. R. Kelly, for example, has been saddled with ongoing charges of child pornography. He also just lost a plagiarism lawsuit in Belgium for the Michael Jackson song “You Are Not Alone.” But the public doesn’t seem to care, and his albums continue to sell very well.
Even with illegal downloads, "Blackout" may have a big first week now that Jive has moved it away from Nov. 13. That’s the same day that corporate cousins Alicia Keys and Celine Dion also have new albums coming out. Keys’ CD, especially, should be a blockbuster. So getting Britney out early is a smart idea.
“Blackout” — at least the online version — contains 16 tracks of Euro-synthpop dance music. Recorded over a two-year period, and assembled through Spears’ mishaps by careful producers, the album sounds like a hit.
It kicks off with the single “Gimme More” and continues into “Break the Ice” and “Cold as Fire.” The latter, as we reported several weeks ago, has Spears gleefully tossing the F-word around. There’s also another unfortunate title: “Get Me High.” Between that and the album’s title, the family court judge — if he’s not a club dancer — may not be so impressed.
But it’s the ballads that are kind of mesmerizing. They’re the last two tracks on the Web version — called “Love Is a State of Grace” and “Let Go.” If it’s really Spears, unadorned, she’s going to change a lot of minds about her ability to put over a real song. She might even have a recording career in her future. Now, that would be a shock.
One thing’s for sure: If these songs are actually on the album, everyone in the music business is going to want to do business with Spears’ A&R woman Theresa Whites. She’s a miracle worker.

Tags: Music,Pop

THIS WEEKS NEWS IN ENTERTAINMENT

Jlo has a lot more on her hands than just a new album and joint tour with husband Marc Anthony: The couple are expecting twins, TMZ.com reports. The children would be the first for the pair; Anthony has a daughter and two sons from two previous relationships, one of which resulted in marriage. Lopez and Anthony launched their En Concierto trek in late September and will continue on it through a November 2 date in Miami. Her new album, Brave, drops Tuesday. ...

Spice Girls have cooked up their first single in seven years, called "Headlines," according to BBC News. "It's a Spice Girl classic," Geri Halliwell told the news outlet. We are so proud of it. We started putting words down before we even had the finalised 'yes' from everyone." The Girls' reunion world tour launches December 2 in Vancouver, British Columbia, and will be preceded by their Greatest Hits set, due in stores November 20. ...

Lil Wayne
was arrested in Boise, Idaho, Friday night on a felony fugitive charge issued in Georgia for allegedly possessing a controlled substance, The Associated Press reports. Wayne, who was booked into the Ada County Jail, was expected to miss a scheduled concert Saturday night because his charges made him ineligible for bond. As a result, an Ada County sheriff's deputy told AP, the jail has been flooded with angry calls from fans. The 25-year-old rapper, born Dwayne Michael Carter Jr., is set to be formally charged Tuesday...

Lil Mama
This about to get ugly, this about to go crazy." First T.I. had his way with Britney Spears, and now it's Lil Mama. The diminutive rapper is about to drop a remix of Spears' single "Gimme More," in which she gives the singer some props but spends most of the song boasting about her own skills: "I'm what's hot. Ever see 'G-Slide'? I can bring it back." (Listen here for a preview of the track.) Lil Mama then calls out the "followers," saying she has no competition because she's "so far ahead of my time." And, in what could be an analysis of why Spears has had so many troubles as of late, Lil Mama says, "People always going to tell you what you want to hear," that there's been "too many yeses, not enough noes, not enough real," which means even "the best get torn." Who knew the dance track could be a cautionary tale as well? As Lil Mama raps, "You've been warned by the voice of the young." ...
Kfed may have physical custody of his children with Spears, but People for the Ethical Treatment of Animals is urging him to take the custody battle to the doghouse. In a letter faxed to Federline on Thursday, PETA President Ingrid Newkirk requested that he ask the judge for custody of the couple's pets. "It's no secret that Ms. Spears' impetuous 'pet' purchases and lack of caretaking skills have been a serious concern of ours," she wrote, noting that in 2006 the singer was "the overwhelming choice" for worst celebrity dog owner in polls conducted by New York Dog and Hollywood Dog magazines. Newkirk was also concerned that Britney's latest dog, London, was more of an "accessory" and noted that the Los Angeles chapter of the Society for the Prevention of Cruelty to Animals had already investigated the dog's lack of veterinary care after breaking his leg when he was stepped on. "As a father, your main concern is the comfort and stability of your children," Newkirk wrote. "London and the other animals whom the boys consider to be part of the family have provided that comfort and stability ... being separated from the animal friends whom they share a bond with is undoubtedly traumatic for them." ...

Kanye West and designer Takashi Murakami, who have collaborated together on 'Ye's album covers, are putting their heads together again for a collection of gold, manga-style pendants, according to Women's Wear Daily. The rapper wore a diamond-studded one out to Givenchy's in New York earlier this week, according to WWD. "They'll be more accessible, they won't be all diamonds," he reportedly said. "The eyes are not perfectly done. Murakami cringes when he sees the eyes."
Beyoncé must be breathing a little easier — the singer hasn't encountered opposition from Muslim groups in Indonesia over her planned November 1 concert there, according to Reuters. She won't have to follow a strict dress code, which she would have had she performed in Malaysia, the country previously scheduled to host the show. ... Ginuwine has filed a lawsuit in New York against King Music Group Inc., according to AP. In the suit, the R&B star claims he was tricked into signing a contract with a record label that didn't even exist. He said he was persuaded to ink the deal back in May, and according to the contract, he was to receive $1.75 million, including a $500,000 advance, to record his first album for the label. But five months later, he hasn't put out any material and hasn't been paid a dime. The lawsuit claims there's no corporate record for King Music Group Inc. anywhere in New York, California, Florida or Tennessee. The filing charges breach of contract, fraud and negligent misrepresentation, and seeks $4 million in damages. ...

Tags: Music

 
I recommend that the Homophobic artists and try meeting with some of these groups that they hate so much to see how much we have in common rather than different.

Ja Rule, who was recently arrested and has a lurid history of violence with MURDER inc. seems like hardly the one to be judgemental, yet, in his recent COMPLEX magazine interview says...

Did you see that report about Congress preparing to hold hearings??
Ja: (interrupts) Yeah, they got my man Doug Morris under fire and shit, they got him going down to go speak to Congress about hip-hop lyrics, are you fucking serious? There's a fucking black kid right now about to get 25 years for having a fight with some white kids over hanging the nooses over the white tree, lets get to that. Let's get into shit like that, because that's what's tearing up America, not me calling a woman a bitch or a hoe on my rap songs. And if it is, then we need to go step to Paramount, and fucking MGM, and all of these other motherfuckers that's making all of these movies and we need to go step to MTV and Viacom, and lets talk about all these fucking shows that they have on MTV that is promoting homosexuality, that my kids can't watch this shit. Dating shows that's showing two guys or two girls in mid afternoon. Let's talk about shit like that! If that's not fucking up America, I don't know what is. There's a lot of issues we can address besides hip-hop, but they want to put everything on us like we're the problem. But see, and this is going to be a shameless fucking plug, but I said, "when everyone wants to point the finger, and ask why there's so much corruption, they only need to look in the mirror." It starts with themselves.

I agree Ja, look in the mirror, think about your jugement of two people in loving embrace.
While u oppose this, u embrace violence and degredation against women (those whom u supposedly love).
So illogical and so sad.


IN A SOMEWHAT RELATED STORY
Reggae Artists Renounce Homophobia
BY KEITH BOYKIN, IN SEXUALITY
Three prominent reggae and dancehall performers have renounced homophobia and condemned violence against lesbians and gay men. Beenie Man, Sizzla and Capleton, each of whom have recorded anti-gay hate songs, have now signed onto a deal to stop the hate and stop the protests. The agreement, called the Reggae Compassionate Act, was brokered with top reggae promoters and Stop Murder Music activists.
The statement reads: "It must be clear there's no space in the music community for hatred and prejudice, including no place for racism, violence, sexism or homophobia...We do not encourage nor minister to HATE but rather uphold a philosophy of LOVE, RESPECT and UNDERSTANDING towards all human beings as the cornerstone of reggae. We agree to not make statements or perform songs that incite hatred or violence against anyone from any community."
I am cautiously optimistic about the agreement. As I recall, another agreement was reached years before and then violated. I can only hope that the artists will be true to their word this time. The agreement comes after a three-year campaign by a British-based group called Stop Murder Music. The campaign had resulted in the cancellation of hundreds of concerts and sponsorship deals in the U.K., and helped spurn the movement in the U.S.
As a result of the agreement, the campaign against the three artists will now be suspended, but organizers are urging journalists and other observers worldwide to monitor the performances and statements of Beenie Man, Sizzla and Capleton.
Meanwhile, five other artists who have recorded anti-gay music are still targeted. Elephant Man, TOK, Bounty Killa, Vybz Kartel and Buju Banton have not signed the Reggae Compassionate Act.
Gareth Williams, co-chair of the Jamaican gay group, J-Flag, hailed the statement as "a move in the right direction." He also said he hoped it was "not commercially motivated by the singers' desire to maintain their concert revenues, but a sincere commitment that will encourage an end to homophobic violence and to all violence against everyone."
I think that's optimistic. Actually, it would be ideal if the artists signed onto the agreement because they've seen the light, but in the end I'm not sure they have. On the one hand, I want the artists to do the right thing, regardless of what motivates them. If it takes money (or the loss of money) to inspire them, then so be it. On the other hand, money motivation only lasts so long.
The problem with being motivated solely by commercial interests is that those interests could change and their actions could change. The best solution is to keep pressing the artists by educating them and others so that they understand that violence against gays and lesbians, or against any group of people, is not acceptable behavior in society. The artists need to know that all humans deserve dignity and respect.

Tags: Politics,GODIAN,Music,HIPOP

All-Time Best of the....
WORST COUNTRY SONG TITLES!

• All I Want From You (Is Away)
  Written by Bobby Harden (ASCAP)
• All My Exes Live In Texas
• All the Guys that Turn Me On Turn Me Down
  Written by Gene Plott, Harold Powell & Roni Stoneman (BMI) (courtesy of "Narkspud")
• Am I Double Parked by the Curbstone of Your Heart?  (courtesy of Michael)
  Double Parked Heart by Jim Pollock (BMI) (Could this be the same song?)
• An Old Flame Can't Hold A Candle To You
  Several songs in the databases called "Old Flame."
• Are You Drinkin With Me Jesus? (courtesy of Sylvester)
  by Mojo Nixon, Country Dick Montana, Peter & Louise Berryman (BMI)
  According to Sylvester, the song contains the truly touching lyrics:
  "Does your head pound Jesus as hung over you do rise....how does paradise look Jesus, through holy bloodshot eyes...
  Should we take a cab home Jesus...aw man we can hoof it from here...
  I know you can walk on the water but can you walk on this much beer?"
• Are You on the Top 40 of the Lord? (courtesy of Joel)
• At the Gas Station of Love, I Got the Self Service Pump (courtesy of Barry)
  Apparently this is from a Weird Al Yankovic song, "One More Minute." But it sounds like a country title, so I'll keep it!
• Beauty is Only Skin Deep, but Ugly Goes Clean to the Bone (courtesy of Ken)
  I've found 2 songs titled "Beauty is Only Skin Deep" - one was recorded by The Temptations and The Miracles and won a BMI Songwriting Award for Eddie Holland & Norman Whitfield..
  The other was written by Francis Burke & Don Raye (ASCAP)
• Billy Broke My Heart at Walgreens and I Cried All the Way to Sears (courtesy of Jim)
  According to Lynn, this was recorded by Peter Drake.
• Bubba Shot The Jukebox
• Bubba's Inconvenience Store
  by Bett Butler (BMI)
• Come out of the Wheatfield Nellie, You're Going Against the Grain (courtesy of Louis)
  Apparently heard in Liverpool, 30 years ago. Wasn't there anything better to listen to in Liverpool 30 years ago???
• Cow Cow Blues       Written by Charles "Cow Cow" Davenport (ACAP), and recorded by Bing Crosby, among others.
  Not a country song at all, as it turns out, but I've left it on the list because of the title's similarity to...
• Cow Cow Boogie (Moo Moo My Love)
  This one's been performed by everyone from The Judds to Mel Torme, according to ASCAP. Also not to be confused with...
• Cow Cow Strut
  by Barbara Chamberlin (SOCAN)
• Did I Shave my Legs for This? by Deana Carter (courtesy of Scott)
• Don't Believe My Heart Can Stand Another You.
  by Tanya Tucker (BMI)
• Don't Chop Any Wood Mother, I'm Comin' in With a Load! (courtesy of Garnet)
• Don't Come Home a-Drinkin' With Lovin' on Yo-mind
  by Loretta Lynn (BMI) (courtesy of Hamp)
• Don't Give Me A Plastic Saddle 'Cuz I Want To Feel That Leather When I Ride (courtesy of Diane)
• Don't Make Love To a Country Music Singer
  written by Robert Morrison & Dale WM Thomas (ASCAP)
• Don't Roll Those Bloodshot Eyes at Me (courtesy of Richard)
  Several songs called "Bloodshot Eyes" in the database.
• Don't Squeeze My Sharmon. (Yes, that IS the correct spelling)
  Written by Carl Belew & Van Givens (BMI)
• Don't Strike A Match (To The Book Of Love)
  Written by Pat Alger & Hal Ketchum (BMI)
• Drop Kick Me Jesus (Through The Goal Posts Of Life.)
  Written by Paul Charles Craft
• Feelin' Single and Drinkin' Doubles
  Written by Donald Fagan & Johnnie Masters (BMI)
• Feelin' Single and Seein' Double (courtesy of Laurence)
  by Emmy Lou Harris (Elite Hotel album, says Laurence) - written by Wayne Kemp (BMI)
• Four on the Floor and a Fifth Under the Seat
  Written by Rex Pearce (BMI) (courtesy of Rick)
• Get Off The Stove,Grandma, You're Too Old To Ride The Range
  by Colin Hartridge (SOCAN)
• Get Off the Table, Mabel (The Two Dollars is for the Beer)
  by Bull Moose Jackson
• Get Your Biscuits In The Oven, And Your Buns In The Bed.
  Written by Richard Friedman (BMI)
• Git Up Off'n the Floor Hannah (a Bitter New Year's Eve)
  by Red Ingle and the Natural Seven, Written by Foster Carling & Joe Washburne (ASCAP) (courtesy of "Narkspud")
• Going to Hell in Your Heavenly Arms
  by the Austin Lounge Lizards (ASCAP)
• Guess My Eyes Were Bigger Than My Heart.
  Written by Liz Anderson (BMI)
• Hand me the Pool Cue and Call Yourself an Ambulance (courtesy of Tom, who isn't sure it's a real song)
• He's got a Way with Women...and He's Just got Away with Mine (courtesy of Mick)
  A whopping 17 songs titled "He's Got a Way With Women" in the BMI database.
• Her Only Bad Habit Is Me
  Believe it or not, three songs with this title in the BMI database.
• Here's A Quarter (Call Someone Who Cares)
  by Travis Tritt - "It's All About to Change" (several folks submitted this one)
• He Went To Sleep and The Hogs Ate Him (Now Claude's Gone Forever) (courtesy of Pam)
  Pam says - "don't know who wrote/recorded it. used to be on the jukebox at Lester's Cafe Howdy, Cleveland OH. (mercifully demolished back in the '80s)"
  BMI database says it's written by Nathaniel Nathan, Gene Redd & Ray Starr.
• High Cost of Low Living
  by John Steele & James Sloane (ASCAP)
• Hog Sloppin' Time in the Hollow (courtesy of Bob, who claims it's "A true love song")
  by Chuck Mayfield - Written by Antell & Tyler (BMI)
• Hold On To Your Men..Cause she's Single Again (courtesy of Susan)
• How Can I Get Over You if You Won't Get Out from Under Me? (courtesy of Dan)
  How Can I Get Over You Till You Get Out from Under Him? (alternate title courtesy of Mike)
• How Can I Miss You if You Won't Go Away?
  Written by Leonard Linnehan & Louis Philip Perry (ASCAP) (courtesy of Charles)
  But there are a half-dozen songs with this title in the BMI database!
• How Can You Believe Me When I Say I Love You, When You Know I've Been A Liar All My Life?
  According to Murphy, this song was written for the film Royal Wedding starring Fred Astaire, and was a novelty dance number.
  This is confirmed by Esther, who remembers hearing the song as a little girl in the 1930s and 40s. Matti confirms it was written specifically for the film.
  Burton Lane & Alan Jay Lerner (ASCAP)
• How Come My Dog Don't Bark (When You Come Around)? (courtesy of Steve)
  by Dr. John
• How Come Your Dog Don't Bite Nobody But Me?
  by Mel Tillis (BMI)
• How Did You Get so Ugly Overnight? (courtesy of Mark, who's not sure it's a real song either)
• I-95 Asshole Song (courtesy of Stacy)
  written by Fred August Campbell (BMI)
• I Bought the Shoes that Just Walked Out on Me
  2 songs with this title in the BMI database (courtesy of Rick)
• I Can't Pass the Bar, and There's One on my Way Home (courtesy of Rick)
• I Changed Her Oil, She Changed My Life (courtesy of Charles)
• I Don't Care if it Rains or Freezes 'Long as I Have My Plastic Jesus Sittin' on the Dashboard of my Car
  a.k.a. "Plastic Jesus" by Ernie Marrs (courtesy of Bill)
• I Don't Do Floors
  by Don Cook & Charles Victor Rains (ASCAP)
• I Don't Know Whether To Kill Myself Or Go Bowling
  by Thom Sharpe (courtesy of Gail, who tells me he wrote a number of comedy songs)
• I Fell for Her, She Fell for Him, and He Fell for Me (courtesy of "Narkspud")
• I Fell In A Pile Of You And Got Love All Over Me (courtesy of Charles)
• I Flushed You From The Toilets Of My Heart 
  Written by Jack Clement (BMI) (courtesy of Charles)
• I Gave Her My Heart And A Diamond And She Clubbed Me With A Spade (courtesy of Bruce)
• I Gave Her the Ring, and She Gave Me the Finger (courtesy of Maureen)
• I Got Tears In My Ears From Lying On My Bed Crying On My Pillow Over You.
  According to ASCAP, the acutal title is simply, "Tears In My Ears"
• I Got the Hungries for Your Love, and I'm Waitin In Your Welfare Line (courtesy of John)
  Apparently written & performed by Buck Owens
• I Got Through Everything But The Door
• I Guess I Had Your Leavin' Coming
  by Vern Gosdin (ASCAP)
• I Keep Forgettin' I Forgot About You 
  Written by Byron Gallimore, Don Pfrimmer & William Shore (BMI) (courtesy of Charles)
• I May Be Used, But Baby I Ain't Used Up
• I Only Miss You On The Days That End In " Y " (courtesy of Frank)
• I Sat Down On A Beartrap (Just This Morning)
• I Sent Her Artifical Flowers For Her Artificial Love
  There are 4 songs called "Artificial Flowers" in the BMI database (courtesy of Jerry)
• I Spent My Last Ten Dollars on Birth Control and Beer (courtesy of Rennie )
  by 2 Nice Girls (on their self-titled 1989 album) - written by Clara Phillips (BMI)
• I Still Miss You Baby...  But My Aim is Getting Better (courtesy of Eric)
• I Want a Beer as Cold as My Ex-Wife's Heart (courtesy of Dan)
• I Wanted You To Leave Until You Left Me.
• Wanna Be A Blue Light Special In The K Mart Of Your Heart (courtesy of Gene, who "heard it in a little bar in Covington, Kentucky... And yes, it was as bad as it sounds like it would be.)
  There are a surprising 11 songs titled "Blue Light Special" in the BMI database!
• I Wanna Whip Your Cow  (courtesy of Charles)
• I Was Looking Back to See If You Were Looking Back to See If I Was Looking Back to See if You Were Looking Back at Me
  According to Sean, this may be "I Looked Back" by Jimmy Eaton & Larry Wagner, recorded by Perry Como.
  If that's the case, I think we can safely move it out of the "country" category!
  On the other hand, according to Steve, it was a duet performed by Buck Owens and Susan Raye in the 1960s, called "Looking Back to See,"
  which would move it right back into the "country" category.
  Finally, according to Beth, it was originally recorded by Red Sovine and Goldie Hill.
• I Went Back to My Fourth Wife for the Third Time and Gave Her a Second Chance to Make a First Class Fool Out of Me
  by Rev.Billy C. Wirtz (courtesy of Zev)
• I Went Out On A Limb and Fell Off the Family Tree (courtesy of Brad)
• I Wish I Were A Lesbian
  by Loudon Wainwright III (ASCAP)
• I Wish I Were A Woman (So I Could Go Out With A Guy Like Me)  (courtesy of Mick)
• I Would Have Wrote You A Letter, But I Couldn't Spell Yuck! (courtesy of Charles)
  According to Shalom, the actual title of this song is "I Couldn't Spell !!*@!" , by Sam The Sham & The Pharaohs (same guys who hit it big with Wooly Bully).
  It came out in 1968 on M-G-M #13972, and was their last Top 40 song.
• I Wouldn't Take Her To A Dawg Fight, Cause I'm Afraid She'd Win  (courtesy of Charles)
• I'd Rather Hear A Fat Girl Fart Than A Pretty Boy Sing (courtesy of Mike)
• I'd Rather Pass a Kidney Stone than Another Night With You
• If Fingerprints Showed Up On Skin, Wonder Whose I'd Find On You.
  by Freddie Hart (BMI)
• If I Ain't Got It, You Don't Need It.
  Two songs with this title in the BMI database
• If I Can't Be Number One In Your Life, Then Number Two On You  (courtesy of Charles)
• If I'd Killed You When I Wanted To, I'd be Out of Jail By Now (courtesy of Tom)
  by Reuben Darnell
• If I Had It To Do All Over Again, I'd Do It All Over You
  by Dan Hicks and his Hot Licks (courtesy of Peter)
• If I Had My Life to Live Over, I'd Live Over a Delicatessen (courtesy of Mike)
• If I Were In Your Shoes, I'd Walk Right Back To Me
  Five songs in the BMI database caleed "If I Were In Your Shoes" (courtesy of Mick)
• If Love Were Oil, I'd Be A Quart Low (courtesy of Charles)
• If My Nose Were Full of Nickels, I'd Blow It All On You  (courtesy of Charles and Ray)
• If My Nose Was Running Money, Honey, I'd Blow It Al On You (Title from BMI database)
• If I Had a Nose Full of Nickels, I'd Sneeze Them All Atchoo! (Another version of the title)
• If She Hadn't Been So Good Lookin' I Might Have Seen the Train  (courtesy of Phil)
• If the Devil Danced in Empty Pockets, He'd Have a Ball in Mine
  by Joe Diffie (ASCAP) (courtesy of Jennifer)
• If The Jukebox Took Teardrops
  2 songs with this title listed in the ASCAP database.
• If The Phone Doesn't Ring, It's Me
  by Jimmy Buffett, also recorded by Crystal Gayle (ASCAP) (courtesy of Carol)
• If Today Was a Fish, I'd Throw It Back In
  3 songs titled "If Today Was a Fish" in the BMI database. (courtesy of Rick & Frank)
• If You Can't Be Good, Be Bad With Me
  Written by Tim Bussey & Mark Maxwell (BMI)
• If You Can't Be Good, Son, Be Good At It
  by Neal McCoy (BMI) (courtesy of Betsy)
• If You Can't Bite, Don't Growl.
  by Tommy Collins (BMI)
• If You Can't Live Without Me, Why Aren't You Dead?
  Written by Benjamin Costello, Alexis Feltham & Jason Whalley (BMI) (courtesy of Simon)
• If You Don't Leave Me, I'll Find Someone Who Will (courtesy of Barry)
• If You Ever Get the Feelin' I Don't Love You, Feel Again.
• If You Leave Me, Can I Come Too?
  Three songs in the BMI database with this title. (courtesy of Charles)
• If You Leave Me I'm Gone
  by Hunter Davis (ASCAP)
• If You Really Loved Me, You'd Leave (courtesy of Phil)
• If You Got the Money, Honey, I Got the Time
  by Hank Williams (courtesy of Bill)
• If You’re Gonna Do Him Wrong Again, You Might As Well Do Him Wrong Again With Me! (courtesy of Peter)
• If You're Gonna Do Me Wrong, Do It Right (courtesy of Kathy)
  by Vern Gosdin & Max Barnes (BMI)
• If You Want to Keep the Beer Real Cold, Put it Next to My Ex-Wife's Heart (courtesy of Blair)
• If You Want Your Freedom PDQ, Divorce Me COD
  Written by Cliffie Stone & Merle Travis. Also recorded by Boxcar Willie and Glen Campbell.
• If Whiskey Were A Woman, I'd Be Married For Sure.
  Written by Stuart Holdsworth, Jack Routh & Randy Sharp (BMI)
• I Like Bananas Because They Have No Bones
  by Hoosier Hot Shots, Written by Chris Yacich (ASCAP) (courtesy of "Narkspud")
• I'll Marry You Tomorrow, But Let's Honeymoon Tonight.
• I'll Tennessee You In My Dreams
• I'm Drinkin Christmas Dinner (All Alone This Year) (courtesy of Stephen)
  by Mac Davis & Freddy Weller (BMI)
• I'm Gonna Hire A Wino To Decorate Our Home.
• I'm Gonna Put a Bar in the Back of my Car and Drive Myself to Drink
  From the album "Fear of Frying" by a Marin County (California) band called"Eggs Over Easy", around 1968 (courtesy of Mark)
  Unfornutately, according to Eric, "After years of searching, I have finally obtained a copy of the album "Fear of Frying" by the Marin County band "Eggs Over Easy". And, I must report, there is no song titled "I'm gonna put a bar in the back of my car and drive myself to drink" Nothing even remotely similar. Nor does this line, or anything similar to this line, appear in any song on the album. Still, it's a great title"
• I'm Here To Get My Baby Out Of Jail
  Two songs with this title in the BMI database.
• I'm In Love With A Capital U (courtesy of Sara Kate)
  by Country Joe Diffie. Written by Nelson & Wiseman (BMI)
• I'm Just an Old Chunk of Coal (But I'm Gonna be a Diamond Someday) (courtesy of Neo)
  written by Billy Joe Shaver (BMI) Recorded by Johnny Cash and John Anderson, among others.
• I'm Quittin' Wild Turkey Cold Turkey
  Believe it or not, 24 songs called "Cold Turkey" in the BMI database. Only 13 called "Wild Turkey" (courtesy of Mandy)
• I'm So Miserable Without You, it's Almost like Having you Here (courtesy of Mike, who isn't sure it's a real song)
  There are several songs called "I'm So Miserable Without You" in the BMI database.
  But Tina says it was written by Jimmy Folker and Korky May, from Oxford, PA.
• I'm The Only Hell Mama Ever Raised
  by Johnny Paycheck (BMI)
• I'm Under The Table Over You (courtesy of Buddy)
• Is It Cold in Here, or Is it Just You? (courtesy of Mark)
  The BMI database lists a song called "Is It Cold In Here" by Joe Diffie.
• It Only Takes One Bar (To Make A Prison)
  by Tracy Lawrence (ASCAP)
• I've Been Carrying a Torch for You so Long that it's Burned a Great Big Hole in my Heart
  by Nino Temple and April Stevens. There are 2 songs called "Carrying a Torch" in the BMI database.
• I've Been Flushed From The Bathroom Of Your Heart.
  Written by Jack Clement (BMI)
• I've Been Roped And Throwed By Jesus In The Holy Ghost Corral.
• I've Got a Cowboy In The Saddle, and Another One's Holding My Horse (courtesy of Laurena)
  We now have independent confirmation of this one from Tracy, who has a copy of the '45! (1981 Acclaim Records Canada)
  by Iris Larrat - written by M.R. Garlow & Neil Patton Rogers
• I've Got the Cob, If You've Got the Corn (courtesy of Marvin)
• I've Got $5 And It's Saturday Night
• I've Heard that Tear Stained Monologue You do There by the Door Before You Go
  by John Hartford (courtesy of Joel)
• It Ain't Easy Being Easy
  by Roseanne Cash (courtesy of Pamela)
• It Took a Helluva Man to Take my Anne, but it Sure Didn't Take Him Long (courtesy of Rick)
• It's Not the High Cost of Living, It's the Cost of Living High (courtesy of Buddy)
• I've Got Those Feed 'Em In The Morning, Change 'Em, Feed 'Em In the Evenin' Blues
  by Tennessee Ernie Ford (BMI) (The official title is "Feed 'Em In The Morning Blues")
• I Would Kiss You Through the Screendoor but It'd Strain Our Love (courtesy of David)
• Jeremiah Peabody's Polyunsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills
  by Ray Stevens (BMI) (courtesy of "Narkspud")
• Jesus Loves Me But He Can't Stand You (courtesy of Michael)
  by the Austin Lounge Lizards
• Jim, I Wore A Tie Today
• Last Night I Went to Bed with a "10" and Woke this Morning with a "2"
  by Willie Nelson (courtesy of Janet)
• Lay Something On My Bed Besides A Blanket
  Written by Daniel Hogan, Gladys & Ronny Scaife (BMI)
• Legendary Chicken Fairy
  by Jack Blanchard & Misty Morgan (BMI) (courtesy of "Narkspud")
• Let's Do Something Cheap and Superficial (courtesy of Dan)
  by Burt Reynolds (Smokey and the Bandit 2 soundtrack) written by Richard Levinson (BMI)
• Make Me Late For Work Today.
  Five songs with this title in the BMI database, including one by Paul Brandt.
• Mama Get The Hammer (There's A Fly On Papa's Head)
  Mama Get The Hammer (There's A Fly On Baby's Head) (Conflicting submissions on this blues tune - anyone??)
  Get the Hammer Mama, There's a Head on Papa's Fly (Now that's the best one yet)
• Meet Me In the Gravel Pit, Honey, cuz I'm a Little Boulder There (courtesy of Maggie)
• Messed Up In Mexico, Living On Refried Dreams (courtesy of Jennifer, who said it was on heavy rotation on the radio in Montana)
• Mommy, Can I Still Call Him Daddy?
• My Give-A-Damn Is Broken (courtesy of Randy)
  written by Ammons-Baker-Martindale-Whisenhunt (BMI)
• My Head Hurts, My Feet Stink, And I Don't Love Jesus. (courtesy of Paul)
  by Jimmy Buffett
• My John Deere Was Breaking Your Field, While Your Dear John Was Breaking My Heart  (courtesy of Charles)
• My Lips Want to Stay (But My Heart Wants to Go)
  by Hank Wangford
• My Phone Ain't been Ringing, so I Guess it Wasn't You
• My Wife Ran Off With My Best Friend, And I Sure Do Miss Him
  Written by Phil Earhart (BMI) (courtesy of Charles)
• Nashville Rash
  Written by Kenneth Dale Watson (BMI)
• Ned Nostril (and his South Seas Paradise, Put Your Blues on Ice, Cheap at Twice the Price Band, Icky Icky Ucky Ucky)
  by Ray Stevens (BMI) (courtesy of Narkspud, who actually owns the album and confirms that it's even printed this way on the label)
• Nobody Wants to Play Rhythm Guitar Behind Jesus (courtesy of Russell)
  by the Oak Ridge Boys - written by T.A. Hill (There's a Terry Allan Hill in the ASCAP database, but no titles registered)
• No Way, Conway (I Ain't Gonna Twitty Tonight) (courtesy of Narkspud)
  Supposedly recorded by Teresa Brewer.
• Occasional Wife
  Written by Robert William Scott (ASCAP)
• Oh, I've Got Hair Oil On My Ears And My Glasses Are Slipping Down, But Baby I Can See Through You (courtesy of Charles)
  According to Jeff, this is by Rolf Harris. Haven't been able to confirm it.
• One Day When You Swing That Skillet (My Face Ain't Gonna Be There)
  by Richard (Dick) Hardwick - courtesy of Tom.
• Our Love is Illegal, Cause Our Names Ain't the Same (courtesy of Ned)
• Out of My Head and Back in My Bed (courtesy of Stacy)
  Stacy says this was recorded by Loretta Lynn. I've found 2 similar titles in the BMI Database:
  "Out of my Head and Back in my Bed" by Snuff Garrett
  "Out of my Head and Back in Bed" by Peggy Forman
• Overlonely and Underkissed
• Pardon Me, I've Been Pardoned
  Written by Michael Manuel (BMI)
• Pardon Me, I've Got Someone To Kill
  by Johnny Paycheck (BMI) (courtesy of Charles)
• Phantom Of The Opry
  A whopping 7 entries in the BMI database for this one.
• Pick Me Up On Your Way Down
  by Patsy Cline (BMI)
• Pick Me Up Or Let Me Down
  by Hank Smith (SOCAN)
• Poultry Promenade
  by Diamond Rio (BMI)
• Prop Me Up Beside the Jukebox When I Die (courtesy of Laura)
  by Joe Diffie - written by Blaylock-Perdew-Phillips (BMI)
• Queen Of My Double-Wide Trailer Written by Dennis Linde
  Recorded by Sammy Kershaw, and Country Dance Kings
• Redneck Martians Stole My Baby
  by Hank Flamingo (BMI)
• Red Necks, White Socks, and Blue Ribbon Beer
  by Johnny Russell (ASCAP)
• Refried Dreams
  by Tim McGraw (BMI)
• Run for the Roundhouse Nellie (He Can't Corner You There)
  by Zeke Masters and his Band, Written by Julian Kay & Zeke Manners (ASCAP) (courtesy of "Narkspud")
• Saddle Up the Stove Ma, I'm Riding the Range Tonight (courtesy of Garnet)
• She Broke My Heart, I Broke Her Jaw (courtesy of Katrina)
  by Rick Stanley.
• She Can Put Her Shoes Under My Bed Anytime
  by Johnny Duncan (courtesy of Bill)
• She Dropped me in Denver So I Had a Whole Mile to Fall (courtesy of William)
  by The Gatlin Brothers
• She Feels Like A New Man Tonight.
  Five songs with this title in the BMI database.
• She Got The Gold Mine And I Got The Shaft
  by Jerry Reed (courtesy of Charles)
• She Got The Ring And I Got The Finger (courtesy of Charles)
• She Looks Good Through the Bottom of My Shot Glass (courtesy of Marc)
• She Made Toothpicks Out Of The Timber Of My Heart (courtesy of Charles)
• She Offered Her Honor, He Honored Her Offer, and All Through the Night It Was Honor and Offer
  by Sligo Studio Band, written by Robert Bivens (BMI) (courtesy of "Narkspud")
• She Thinks My Tractor's Sexy
  Written by Jim Collins & Paul Overstreet (BMI)
• She Walked Across My Heart Like It Was Texas (courtesy of James)
• She's Actin' Single..... I'm Drinkin' Doubles
  by Gary Stewart (BMI).
• She's Got the Rhythm (And I Got the Blues)
• Skillet Full of Crisco
  written by Null Cecil Allen (BMI)
• Slap 'Er Down Again Paw
  by Arthur Godfrey (courtesy of "Narkspud")
• Thank God And Greyhound She's Gone
  by Roy Clark (BMI)
• Thanks To The Cathouse, I'm In The Doghouse With You
  Written by Max Barnes, Frank Saulino & James Valentini (BMI)
• That "It's All Over" Feeling (All Over Again)
  by The Clarks - written by Stephen Clark & Rae Mac (ASCAP)
• The Alcohall of Fame
  by Wayne Kemp - from the album of the same name.
• The Bridge Washed Out and I Can't Swim and My Baby's On the Other Side
• The Last Word in Lonesome is Me
• The Man That Came Between Us (Was Me)
• The Old Home Fill 'er Up and Keep On Truckin' Cafe"
  by C. W. McCall (courtesy of "Narkspud")
• The Pint Of No Return.
• There Ain't Enough Room in my Fruit Of The Looms to Hold All My Lovin' For You (courtesy of Atley)
• There's A Tear In My Beer
  by Hank Williams
• They May Put Me In Prison, But They Can't Stop My Face From Breakin' Out (courtesy of Charles)
  They Can Lock Me Up for Lovin' You, but They Can't Keep My Face from Breakin' Out (variation courtesy of Peter)
• This Good Girl's Gonna Go Bad
  by Tammy Wynette(courtesy of Bill)
• This White Circle on My Finger Means We're Through
  by Kitty Wells (courtesy of Bill)
• Tight Fittin' Jeans
  Two songs in the BMI database with this title.
• Timber... I'm Fallin In Love (courtesy of Kathy)
  by Patty Loveless. Written by "Kostas" (BMI)
• Trainwreck Of Emotion
  Written by Allen Kohnhurst & Jonathan Vezner (ASCAP)
• Up Against the Wall, Redneck Mother
  by Jerry Jeff Walker "Great Gonzos" (courtesy of Ed) Also recorded by Willie Nelson, written by Ray Hubbard (ASCAP)
• Velcro Arms, Teflon Heart (courtesy of Charles)
  Did find a song in the BMI database called "Velcro Heart"
• Waitin' In Your Welfare Line
  by Buck Owens (BMI)
• Walk Out Backwards Slowly So I'll Think You're Walking In
  Four songs in the BMI database called "Walk Out Backwards"
• Warm Beer and Cold Kisses
  by Stallins & Crowe (BMI)
• Warm Beer Cold Women
  by Tom Waits (ASCAP) Wouldn't call Tom Waits country, though....
• We Feed Our Babies Onions So We Can Find 'Em In The Dark (courtesy of Stephen)
• We Used To Kiss On The Lips, But It's All Over Now (courtesy of Cheryl)
• Welcome to Dumpsville, Population Me
  Two songs in the BMI database called "Welcome to Dumpsville" (courtesy of Jim)
• What Made Milwaukee Famous Has Made a Loser Out of Me
• When the Lightning Struck the Coon Creek Party Line
  by Hoosier Hot Shots (courtesy of "Narkspud")
• When You Wrapped My Lunch in a Road Map, I Knew You Meant Good-Bye (from Sally in Sacramento)
• Which Way Do I Go (Now That I'm Gone) ?
  by Waylon Jennings - written by Stephen Clark & Rae Mac (ASCAP)
• Who's Gonna Mow Your Grass?
  by Buck Owens (BMI)
• Who's Gonna Take The Garbage Out When I'm Dead And Gone?
• Who's Makin' Time with the Time Keeper's Daughter, when the Time Keeper's Keepin' Time? (courtesy of Steve)
• Whose Bed Have Your Boots Been Under?
  by Shania Twain & Mutt Lange (ASCAP)
• Why Have You Left the One You Left Me For? 
  by Crystal Gayle, also recorded by Ronnie Milsap (courtesy of the Johnson family)
• Why Don't We Get Drunk and Screw
  by Jimmy Buffett "All the Great Hits" (courtesy of Karen, James & Ed)
• Would Jesus Wear A Rolex On His Television Show?
  by Ray Stevens, Written by Chet Atkins & Margaret Archer (BMI)
• Yard Sale (12 exciting songs share this title in the BMI database)
• You Ain't Much Fun Since I Quit Drinkin'
  by Toby Keith (BMI) (courtesy of Chili)
• You Ain't Woman Enough To Take My Man
  by Loretta Lynn (courtesy of Bill)
• You Ain't Nothin' But a Hound Dog ('s Leavins') (courtesy of Jim)
• You can Lock Me Up in Jail & Throw Away the Key, But You Can't Keep My Face from Breaking Out
  by Randy Scruggs (courtesy of Dave )
• You Can't Have Your Kate And Edith Too.
• You Can't Haul a U-Haul Into Heaven
  written by Clark-Mac-Northrup (ASCAP)
• You Can't Roller Skate In A Buffalo Herd
  by Roger Miller (BMI)
• You Changed Your Name From Brown to Jones, and Mine From Brown to Blue
  Apparently by a British spoof country singer, "Hank Wangford." Courtesy of Jan from Essex.
• You Done Blacked My Blue Eyes Once Too Often (courtesy of Dave)
• You Done Changed my Lifestyle
  by Earl Hines (BMI)
• You Done Me Wrong, But at Least You Done Me! (courtesy of Aaron )
  Several songs titled "You Done Me Wrong" appear in the databases.
• You Done My Brain In
  by Neil James Innes (BMI)
• You Done Stomped On my Heart (and You Mashed That Sucker Flat)
  According to multiple emails, this was written by Mason Williams (yes, the "Classical Gas" guy) and recorded by various artists including John Denver.
  "You done stomped on my heart and mashed that sucker flat, you just sorta, stomped on my aorta.
  You started going out with guys, I felt us drift apart, and every step you took, was a stomp right on my heart."
• You Done The Wrong Woman Wrong
  written by Connie Rae Harrington (ASCAP)
• You Were Only A Splinter As I Slid Down The Banister Of Life (courtesy of Charles)
• You'd think my Bed was a Bus Stop, the Way You Come and Go (several submissions)
• Your Negligee Has Turned To Flannel Nightgowns.
• You're Not Free & I'm Not Easy
  written by Herb Coleman & Robert Morrison (ASCAP)
• You're The Hangnail In My Life, And I Can't Bite You Off
  by Hoyt Axton, Written by Woody Bowles (BMI)(courtesy of Eli)
• You're a Hard Dog To Keep Under The Porch
  by Gail Davies (BMI) (courtesy of Susan)
• You're Going To Ruin My Bad Reputation
  Could this be "My Bad Reputation" by Woody Guthrie?
• You're Out Of Step (With The Beat Of My Heart)
• You're The Reason Our Kids Are So Ugly (courtesy of Charles, with more info from Ray))
  By Lola Jean Dillon & L.E. White (BMI) Apparently also recorded by Loretta Lynn & Conway Twitty
• You're The Ring Around My Bathtub, You're The Hangnail Of My Life
• You've Already Put Big Old Tears In My Eyes, Must You Throw Dirt In My Face?
  by The Louvin Brothers (courtesy of Art)
• You've Got Sawdust On The Floor Of Your Heart
  by Sneezy Waters (courtesy of Paul)
• 80 Proof Bottle of Tear Stopper
• 800 Pound Jesus
  by Sawyer Brown. Written by Billy Maddox & Paul Thorn (BMI)

 
And all-time fave:

• Get Your Tongue Out Of My Mouth, Because I'm Kissing You Goodbye.
  Coincidentally, also the title of a 1993 book by Playboy magazine columnist Cynthia Heimel.

There are some novelty songs that deserve to be listed just because their titles sound so authentic:
If I'd a Knowed that You'd a Wanted to of Went with Me, I'd a Seed that You'd a Got to Get to Go From Martin Mull's "Fernwood 2Night" TV show, sung by "Elwood P. Suggins" (courtesy of James)
She's Got Freckles On Her, But She's Pretty (courtesy of Charles) A novelty song from the 1940s by Larry Vincent (ASCAP)
I'd Like You a Whole Lot Better if We Slept Together (courtesy of Dan) We're pretty sure this is actually "I might like you better if we slept together," which is a line from the 1981 song "Never Say Never" by Romeo Void, a New Wave band - pretty much the least country-like song on the list! (You can listen to a RealAudio file on their website and hear for yourself.)
Then there's Tom Scott, who came up with an appropriate original title for me: "I Made Up The Title, You Make Up The Song"
Scott Orr went an extra step and actually wrote an original song: "I Kissed Her On the Lips, and Left Her Behind for You"
And my next favourite original title, from Laura: "Go Back To Texas and Cheesey French Fry Lake"
 
You can find another great list at www.coloradobluegrass.org/jokes.htm - there's some overlap, but Sandy has a lot of unique titles too!

Tags: Music,Comedy